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Slow cinema : ウィキペディア英語版
Slow cinema

Slow cinema is a genre of art cinema film-making that emphasizes long takes, and is often minimalist, observational, and with little or no narrative.〔〔Steven Rose. (Two Years At Sea: little happens, nothing is explained ). ''The Guardian'', 26 April 2012.〕 It is sometimes called "contemplative cinema".〔Thomas Elsaesser, Stop/Motion in Eivind Rossaak (ed). Between Stillness and Motion: Film, Photography, Algorithms. p117. 2011〕
Progenitors of the genre include Andrei Tarkovsky, Béla Tarr, and Michelangelo Antonioni.〔Nick James. (Syndromes of a new century ). ''Sight & Sound'', February 2010〕 Tarkovsky argued that "I think that what a person normally goes to cinema for is time".〔 Greek director Theo Angelopoulos has been described as an "icon of the so-called Slow Cinema movement".〔David Jenkins. (Theo Angelopoulos: the sweep of history ). ''Sight & Sound'', February 2012〕 Examples include Ben Rivers' ''Two Years At Sea'' and ''Le Quattro Volte'', and Shaun Wilson's ''51 Paintings''.〔〔〔
''Sight & Sound'' noted of the definition of slow cinema that "The length of a shot, on which much of the debate revolves, is a quite abstract measure if divorced from what takes place within it".〔 ''The Guardian'' contrasted the long takes of the genre with the two-second average shot length in Hollywood action movies, and noted that "they opt for ambient noises or field recordings rather than bombastic sound design, embrace subdued visual schemes that require the viewer's eye to do more work, and evoke a sense of mystery that springs from the landscapes and local customs they depict more than it does from generic convention."〔 The genre has been described as an "act of organized resistance" similar to the Slow food movement.〔
It has been criticized as being indifferent or even hostile to audiences.〔 A backlash by ''Sight & Sound'''s Nick James, and picked up by online writers, argued that early uses of long takes were "adventurous provocations created by extremists" whereas recent films are "operating within a recognized, default artistic idiom."〔Vadim Rizov. (Slow cinema backlash ). IFC, 12 May 2010.〕 ''The Guardians film blog concluded that "being less overweeningly precious about films that are likely to be impenetrable to even the most well-informed audiences would seem an idea."〔Danny Leigh. (The view: Is it OK to be a film philistine? ) ''The Guardian'' Film Blog, 21 May 2010〕 Dan Fox of ''Frieze'' criticized both the dichotomy of the argument into 'philistine' vs 'pretentious' and the reductiveness of the term "slow cinema".〔Dan Fox. (Slow, Fast, and Inbetween ).''Frieze'' blog, 23 May 2010〕
The AV Festival held a Slow Cinema Weekend at the Star and Shadow Cinema in Newcastle, UK in March 2012, including the films of Rivers, Lav Diaz, Lisandro Alonso and Fred Kelemen.〔Sukhdev Sandhu. ('Slow cinema' fights back against Bourne's supremacy ). ''The Guardian'', 9 March 2012〕〔(Slow Cinema Weekend ). AV Festival, March 2012.〕〔Tom Clift. (Experimental Expression ). 'Filmink Magazine', August, 2012.〕
==See also==

* Dogme 95
* List of longest films by running time
* Slow food and the Slow movement
* Slow television
* Structural film

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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